Weekend Woodworking

by Brian Enigma on June 22, 2009 6:02pm

in Dear Diary

Over the week­end, I self­ishly took advan­tage of the Father’s Day sales and bought myself a sabre saw (or, as Kim calls it, the saber­tooth saw), even though I am not a father (that I’m aware of, at least.) I have been start­ing to get ideas for things to build that were just a bit beyond the hand-powered cross-cut saw and cop­ing saw in my tool repos­i­tory.  It was time for a power saw, even if it was a low-end one.

I have not done much wood­work­ing since junior high school.  The stuff I have been doing recently around the house has amounted to sur­face and trim: punch­ing holes in plas­ter and dry­wall, cut­ting and attach­ing base­boards, replac­ing part of an old case­ment win­dowframe.  It was about time for a lit­tle project.

I have been sav­ing up news­pa­per, mag­a­zine, and web clip­pings of lit­tle bits of fur­ni­ture and such that would make sim­ple projects.  One such thing was a step­stool.  You see, we have a win­dow in the front of the house that gets a lot of sun and over­looks the bird feeder.  This is prime cat real estate, but Char­lotte — the old­est of our cats — has been hav­ing trou­ble with his back legs in recent years.  Arthri­tis is set­ting in and he does not jump quite as well as he used to.  I thought it might be nice to put a lit­tle step­stool there to give Char­lotte eas­ier access: a cat-sized wheel­chair ramp, if you will.

Over the week­end, I designed a basic lit­tle step­stool based on rem­nants I had in the garage.  Cer­tain pieces of the design — the depth of the steps, for instance — were highly influ­enced by what scrap wood I have avail­able.  Other pieces of the design were influ­enced by the envi­ron­ment it will be used in: the height of the table, for instance.  Over­all, it turned out pretty well and the black paint job gave it a sort of piano bench ele­gance.  There is a minor wob­ble that can only be felt on a hard­wood floor (for­tu­nately, this is on car­pet for now.) It can likely be fixed with a bit of shim or plan­ing, but since I for­got to check for wob­bli­ness before putting on some 2x4 braces, plan­ing down an edge is a bit more dif­fi­cult of an option that it should be.  In the photo, it looks like there is a big­ger step between the top step and the table­top, but that is an illu­sion — they should all be equidis­tant: from the floor to the first step, first to sec­ond, sec­ond to top, and top to table.

Kitty Stairs

If there’s inter­est, I can scan and post the plans, but it’s a pretty sim­ple design.  The steps them­selves are 5“x0.5″ (left­overs from bath­room base­boards.) They were routed to be curved on three edges.  The side pieces are thick ply­wood from a cab­i­net that was in the base­ment when we moved in (which could only be removed by dis­as­sem­bling.) It’s about 0.75″ thick.  The three “cor­ners” (front, lower back, upper back) as well as the mid-back have 2x4 cross-braces to hold things together.  If I was mak­ing this for peo­ple as well as cats, I might have also put smaller cross-braces under the steps them­selves, but they’re actu­ally pretty sturdy as-is.  It was then sanded and painted.

Not bad for not hav­ing touched a power tool since the mid 80s, eh?  I’ve learned and re-learned a few lessons and will be that much more pro­fi­cient with the next project.  I find the tough­est part is real­iz­ing a con­cep­tual design into a con­crete imple­men­ta­tion.  A design that is 100% on paper can be per­fect.  The cor­ners are square, the mea­sure­ments are exact, and pieces fit together nicely.  When trans­lat­ing that into the real world, noth­ing is ever a per­fect 90 degrees.  Mea­sure­ments are only as accu­rate as the thick­ness of your pen­cil lead or saw blade.  Straight cuts are not.  (Admit­tedly, they would be if I got myself some­thing like a radial arm saw, but I’m not ready for one of those yet.) Things don’t quite fit together cor­rectly.  It’s the same sort of real-world quirks you get when going from pure con­cep­tual physics to applied physics and engi­neer­ing.  The per­fec­tion of a design can only be as good as the tol­er­ances of the com­po­nents and tools.  This is life.

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